A few commenters also lamented the lack of integration with ReCycle, Propellerhead’s tool to slice audio into the REX format. In our Reason 6 review, we mentioned a couple of features that still felt missing, the most prominent being the lack of MIDI-out. Finally in April, they released Reason 7 and brought the virtual studio ever closer in line with its competitors. Reason 6.5 came less than a year later with rack extensions, Propellerhead’s version of plug-ins. Reason 6 arrived, introducing audio recording and the beefy SSL mixer-two pretty fundamental features that transformed it from a rack of instruments into a more conventional DAW. The Propellerhead crew once defiantly positioned their flagship product in stark contrast to its competition. Over the past few years, Reason has been transformed.
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